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Because the Internet Album Art Because the Internet Album Alternate Cover

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2013 studio album by Kittenish Gambino

Because the Net
A man wearing a tropical-themed shirt stares at the viewer. After a few seconds, the animated image fuzzes out quickly, showing strong brush-like strokes. The image becomes blurred and eventually quickly turns back to its original image.

animated .GIF / Lenticular album cover
Studio album by

Kittenish Gambino
Released December 10, 2013 (2013-12-10)
Recorded 2012–2013
Studio The Temple, Los Angeles, California
Genre Hip hop
Length 57:52
Label Glassnote
Producer
  • Childish Gambino
  • Christian Rich
  • Ludwig Göransson
  • Pop Levi
  • Stefan Ponce
  • Thundercat
Kittenish Gambino chronology
Royalty
(2012) 		Because the Internet
(2013) 		STN MTN / Kauai
(2014)
Singles from Because the Internet
  1. "3005"
    Released: October 22, 2013
  2. "Clamber"
    Released: February 7, 2014
  3. "Sweatpants"
    Released: June 9, 2014
  4. "Telegraph Ave."
    Released: August 19, 2014

Considering the Internet is the second studio album by American recording artist Donald Glover, under the stage name Childish Gambino. It was released on December 10, 2013, by Glassnote Records. The recording process began in 2012 and ended in October 2013. Recording primarily took place at a mansion owned by basketball player Chris Bosh, which Gambino rented. The anthology features guest appearances from Chance the Rapper, Jhené Aiko, and Azealia Banks, with production primarily handled past Gambino himself, Stefan Ponce, and Ludwig Göransson, among others.

Because the Cyberspace was supported by four singles: "3005", "Clamber", "Sweatpants", and "Telegraph Ave.". Gambino besides released a short picture titled Clapping for the Wrong Reasons and a 72-folio screenplay to go along with the album in promotion of it.

Because the Internet received mostly positive reviews from critics. It also performed well commercially, debuting at number seven on the US Billboard 200 and number 12 on the Canadian Albums Chart. The album received a Grammy nomination for Best Rap Album. It was certified golden by the Recording Industry Association of America (RIAA) in February 2016. As of November 2016, the album has sold 992,000 album-equivalent units in the United States.

Groundwork [edit]

Nether his Childish Gambino proper noun, Donald Glover was the primary songwriter, performer, and producer of the anthology.

In July 2013, Gambino signed on to create a music-themed show for FX titled Atlanta, a series which premiered on September six, 2016, and which he stars in, writes, and executive produces. Consequently, he decided to reduce his work for NBC, and just appeared in five episodes of Community 's xiii-episode fifth season. His function was reduced in lodge to work more on his music career.[one] [2] [iii] [4]

On Oct four, 2013, Gambino appear on Twitter that his 2d studio album was completed.[5] He further revealed details at Homecoming Week at Penn State on Oct vii, stating that "I got a new album coming out presently, so this is the final time we're gonna play a lot of this shit."[6] The same twenty-four hour period, he premiered a new song titled "Yaphet Kotto".[7]

On October eight, 2013, Gambino released a teaser video for the anthology, which he announced every bit being titled Because the Cyberspace and that it would be released in Dec 2013.[8] Gambino told MTV that singer Brook gave him the idea for the album championship.[9] He explained the title, saying: "Considering the cyberspace I'g here, because of the cyberspace nosotros're all here. It's the language of earth. Everyone keeps saying by this or that year, Mandarin or Spanish will be the most dominant linguistic communication, but the internet is already a language nosotros are all continued to; even my dad tin understand the meme format. But the thing is, there are no rules, which is also the awesome matter."[ten]

After the release date announcement, Gambino stated he was upset since Glassnote Records wanted to button dorsum its release to 2014, which he said was because "it's not a holiday record and I'm not a big creative person".[xi] He responded to this, saying: "If it wasn't gonna be released then, I was gonna release it myself. What's the indicate of waiting? I feel like that'due south the only fourth dimension people would exist able to listen to it. December is the perfect fourth dimension. Albums made a actually big impact on me when I was alone and everything was tranquillity, and I know that'due south when students go habitation, that'southward when everything is closed, so it's a good fourth dimension to only listen to something and exist yourself."[9] On October 21, he announced a release date of December ten, 2013, for the anthology.[12] [xiii]

Recording and product [edit]

Rapper Azealia Banks made an appearance on the anthology track "Earth: The Oldest Estimator (The Last Night)".

On November 4, 2012, producer Ludwig Göransson said in an interview, he and Gambino were in his studio coming up with new ideas for Gambino's next album. Göransson said information technology was to exist a bigger album than his debut, Camp, with more people involved.[xiv] Over the following months, Gambino disappeared from social media, remaining reclusive while recording material for the anthology.[xv] The album was primarily recorded in Miami Estrus player Chris Bosh'southward mansion in Los Angeles, which Gambino dubbed "The Temple". There, he kept strict rules, which included "no tweeting or instagramming", "no shoes", and "piece of work begins at x am".[9] [16] In October 2013, he revealed that he had collaborated with Child Cudi on a song, but the vocal would not be featured on the anthology.[16] [17] In October 2013, during a Toronto listening session, Gambino revealed Jhené Aiko equally one of the album's guest appearances.[18] He besides collaborated with American rappers Chance the Rapper and Azealia Banks on the album.[nineteen]

Cover art [edit]

The encompass is an animated GIF of Gambino staring at the viewer, which quickly fuzzes out after a few seconds (with potent castor-like strokes blurring his features to the point where he is unrecognizable) as if information technology had jumped at the viewer, in a procedure similar to zooming in. The GIF format is a reference to the internet, which made it pop.[20] The physical version of the album functions with lenticular press to mimic the blitheness effect.[21]

Promotion [edit]

On January eleven, 2012, Gambino appear he would be releasing a new mixtape soon.[22] The mixtape Royalty was released on July 4, 2012, to positive critical reception.[23] [24] [25] The mixtape featured guest appearances by Nipsey Hussle, Schoolboy Q, Ab-Soul, Danny Brownish, Tina Fey, Adventure the Rapper, Beck, Ghostface Killah and RZA, among others.[23] [26]

On July 23, 2013, Gambino released a promotional single named "Centipede".[27] The song opens with Gambino singing a cappella earlier "giving way to a spacey beat built around a chunky piano riff" and Gambino's confident rap delivery.[28] The outro of "Centipede" samples a role from an online mini-documentary about and featuring Charles Hamilton, "Behind the Lava Lamp".[29] On August 15, 2013, Gambino released a short film, Clapping for the Wrong Reasons. In the film Gambino previews new music and it features cameo appearances by producer Flying Lotus, actor Danielle Fishel, porn star Abella Anderson, and fellow rappers Trinidad James and Chance the Rapper.[30] [31]

On October 25, 2013, in an interview with Power 105, Gambino stated he wanted to have a "dope gyre out" for the album, which he said would also include a moving picture.[32] Later that week, he told XXL that the anthology would as well come with a screenplay.[33] On December six, 2013, Gambino released a 72-folio screenplay designed to sync up with the album. It was revealed on the website becausetheinter.net.[34] The screenplay, which is lite on dialogue and involves stage directions that are written out Internet-speak and emojis, was accompanied past short, silent clips from Clapping for the Wrong Reasons, and songs from the anthology were included to be played as the story unfolds. The fundamental character, The Male child, lives in a mansion and spends his days tweeting at celebrities and posting videos to WorldStarHipHop. Everywhere The Boy goes, he sees the words "Roscoe's Wetsuit." Somewhen, he's forced to sell drugs.[35] Gambino prefaces the screenplay with a discover indicating that Clapping for the Wrong Reasons is considered a prelude, intending it to be viewed before reading the screenplay.[34]

On January 7, 2014, Gambino used a video chat with Abella Anderson to denote The Deep Web tour. The tour featured 22 concerts and ran from February 27, through May 3, 2014.[36]

Singles [edit]

On October 21, 2013, Gambino released "3005", the album's first official unmarried.[37] [38] The post-obit day information technology was released for digital download on iTunes.[39] The introspective vocal was produced by Gambino himself, along with Stefan Ponce and Ludwig Göransson.[xl] On November fifteen, 2013, the song'due south lyric video was premiered on Vevo.[41] The music video was released on December half-dozen, 2013.[42]

On February vii, 2014, ane of the album's promotional singles "Crawl", was serviced to urban contemporary radio in the United Kingdom as the album'due south 2d official single.[43]

On Nov 25, 2013, "Sweatpants" which features ad-libs from rapper Problem was leaked online, which Gambino responded unfavorably to.[44] Shortly after, it was made bachelor to those who pre-social club the anthology on iTunes, as the album'due south kickoff promotional unmarried.[45] The music video for "Sweatpants" was released on April fourteen, 2014, which concludes with a dream sequence for "Urn".[46] "Sweatpants" would later be serviced to urban contemporary radio in the U.k. as the album'south third official single on June 9, 2014.[47]

On August 19, 2014, the vocal "Telegraph Ave.", was serviced to rhythmic contemporary radio in the Us as the album's fourth single.[48]

Disquisitional reception [edit]

Professional ratings
Amass scores
Source Rating
AnyDecentMusic? v.5/10[49]
Metacritic 64/100[50]
Review scores
Source Rating
AllMusic [51]
The A.Five. Club B−[52]
Amusement Weekly B−[53]
The Guardian [54]
Los Angeles Times [55]
Pitchfork 5.8/10[56]
Q [57]
Rolling Stone [58]
Spin 2/ten[59]
XXL 4/5[threescore]

Because the Cyberspace was met with generally positive reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional person publications, the album received an average score of 64, based on 26 reviews.[50] Aggregator AnyDecentMusic? gave it v.5 out of x, based on their assessment of the critical consensus.[49]

Writing for The Boston World, Franklin Soults said, "Dearest Donald Glover or hate him, this writer/thespian/comedian/rapper unquestionably ranks amongst America'southward nearly accomplished performers. [...] The product is equally rich as the raps, spanning pop, hole-and-corner R&B, club music, and psychedelic experimentation. The project is farther heightened past Glover's knowing irony, his gift for hooks, and his visionary theme. Without making it a burdensome concept to explain and belabor, the Cyberspace figures prominently throughout the disc in ways empowering and emasculating."[61] Killian Fob, writing for The Observer, said, "Glover reflects on some unsettling phenomena of our internet-addled age, such every bit the 3D printing of guns – and his restless delivery is matched by jerky, off-kilter production. The results are intriguing, occasionally frustrating, rarely slow."[62] Jabbari Weekes of Exclaim! said, "Because the Internet is a vast improvement over his debut endeavor, showcasing an artist who has confidently constitute a way to coalesce his love for music and films into one hybrid effort."[63] Christian Lee of HipHopDX said, "He raps because, well, he can. Most of all, in his ambitious second album Considering The Internet, he raps as if to pass the time. Anxious introverts may recognize what Childish Gambino does here, repeatedly: waltz around, endeavour to be sociable, simply and so abscond. Childish Gambino yet manages to more often than not hold our attending, though, because he concerns himself instead with his ain terms."[64] David Jeffries of AllMusic said, "Connecting with the anthology is nearly incommunicable, understanding it is hard, and often enough, its inflated ego is deadening, but Because the Cyberspace is too free and fascinating to be dragged downward past these complaints, then if a Yeezus with more than flash and fun is what's required, Gambino's got the good stuff."[51]

Perry Kostidakis of the FSView & Florida Flambeau wrote, "From a purely musical standpoint, Because the Internet finds itself in contention for all-time rap album of 2013. Produced almost solely by Gambino (with help from Community composer Ludwig Goransson), information technology seems every bit if BTI is the first rap album this twelvemonth that is completely confident in what information technology is."[65] Lizzie Plaugic of CMJ stated in a mixed review, "Considering The Internet is not easily dismissible, because it's so self-awarely annoying. It trips over its own feet hoping the absurd kids will coil their eyes at it, considering behind those eye rolls is a jealousy that Gambino can fall with such nonchalance. Even though Because The Internet is kind of strange and kind of a bummer, it does testify Glover's range as a musician."[66] Craig Jenkins of Pitchfork stated, "With Gambino's wordplay ping-ponging from caustic wit to bulletin lath snark, the enduring strength of the album is its production. Gambino and Göransson handle the bulk of information technology here alongside usual suspect Stefan Ponce and alley oops from twin act Christian Rich and Flying Lotus acquaintance Thundercat. Considering the Cyberspace 'south product team non merely ensures the sounds are pretty, spacey, and jarring in all the correct places, but they also effortlessly blast the album's Dark Side of the Moon/Wizard of Oz synchronicity gambit."[56]

Dom Sinacola of Slant Mag said, "More than that, it furthers the general message of the whole album, which is that for all his posturing and amuse, Glover may not have it in him to participate in the kind of bacchanalia required of his position as a young, burgeoning, multi-talented rap star. Halfway between throwaway wordplay and trenchant comment near fame, the lyric says a lot about where Glover's head is at: Every bit a former sketch comedian, author on 30 Stone, and star of the sitcom Community, he leans on his wit equally his most formidable weapon."[67] Philip Cosores of Consequence stated, "Yes, the dedication that Glover has seemingly displayed in the project is beauteous. But he just doesn't seem to become music on this album. Mayhap it's considering of his taste, or because he is trying besides hard to stand out, or because of his hubris, or because he has lost touch with reality, or maybe information technology is because of the internet."[68] Phillip Mlynar of Spin said, "The just reaction that Considering the Cyberspace elicits is the uncontrollable urge to skip to the side by side song, in hopes that things couldn't perhaps become any sloppier. Simply they do, beginning with the cod-wailing that blights "Crawl" and volleying with the psychedelic muzak of "The Worst Guys" (co-starring Hazard the Rapper) and "Zealots of Stockholm (Free Information)," which sounds like Glover has inadvertently locked himself in his exercise infinite and is attempting to muster upwards a loud enough mess then that some kindly passerby will hear his cries for aid. As the album collapses into itself with the closing cutting, "Life: The Biggest Troll (Andrew Auernheimer)," we're resigned to beingness equally a gloopy mess of random thoughts. "Where'south the line betwixt Donny G and Gambino?" the rapper muses, but it's unclear whether this is meant equally a 18-carat identity crisis or an all-knowing middle finger to critics. Maybe the entire anthology is a meme itself, a grand existential joke critiquing the all-conquering ascent of Internet civilization by parodying its overwhelming randomness. Whatever it is, though, it's a bad rap record."[59]

Accolades [edit]

It was named the tenth all-time album of 2013 by Complex. They commented saying, "Considering The Internet is unlike any other rap album this year. Musically, it's as ambitious equally something Kanye might practise. [...] It merely leaked last week, just information technology's some of the most engaging, rewarding music we've heard all year."[69] XXL ranked it at number 15 on their list of best albums of 2013. They elaborated saying, "I of the most artistic albums of the year, actor/rapper Childish Gambino meshes both his talents together for a very innovate and impressive album. He ditches the goofy-comedic rap lyrics with introspective bars that tell a story nigh a male child who is trying to discover himself in life. [...] The music itself is really polished and well-produced, showcasing his growth lyrically and musically as he frequently sings on records."[lxx]

The anthology was nominated for Best Rap Album at the 2015 Grammy Awards.[71]

Commercial performance [edit]

Because the Internet debuted at number vii on the Billboard 200, with first-week sales of 96,000 copies in the United States.[72] This would exist an 84% increase in starting time week sales in his home country, compared to his debut anthology Army camp.[73] In its second calendar week, the album dropped to number 25, selling 28,000 more than copies.[74] In its third week, the album rose to number xx selling 33,000 more copies in the United states of america.[75] In its fourth week, the album moved up to number eighteen on the chart, selling xvi,000 more copies in the United states of america.[76] Due to Tape Store Day, the week ending Apr 20, 2014, the album peaked at number one on the The states Top Vinyl LPs, selling 3,000 vinyl copies.[77] On Feb 18, 2016, Considering the Internet was certified gilded by the Recording Industry Association of America (RIAA) for sales of over 500,000 copies.[78] As of November 2016, the album has sold 992,000 album-equivalent units in the United States, with pure album sales of 525,000, and on-demand audio and video streams that totaled 1.1 billion.[79] [fourscore]

Track listing [edit]

Because the Net track listing
No. Championship Author(south) Producer(south) Length
1. "The Library (Intro)" Donald Glover Glover 0:04
two. "I. Clamber"
  • Glover
  • Taiwo Hassan
  • Kehinde Hassan
  • Glover
  • Christian Rich
 iii:29
3. "Two. Worldstar"
  • Glover
  • Ludwig Göransson
  • Glover
  • Göransson
 4:04
4. "Dial Upwards" Glover Glover 0:44
5. "I. The Worst Guys" (featuring Chance the Rapper)
  • Glover
  • Göransson
  • Chancelor Bennett
  • Glover
  • Göransson
 3:39
half dozen. "II. Shadows"
  • Glover
  • Göransson
  • Stephen Bruner
  • Chiliad. Muhammad
  • Thundercat
  • Glover
  • Göransson
 iii:51
7. "3. Telegraph Ave. ("Oakland" past Lloyd)"
  • Glover
  • Göransson
  • Rochelle Jordan
  • Glover
  • Göransson
 iii:30
viii. "Four. Sweatpants"
  • Glover
  • Göransson
  • Jason Martin
  • Glover
  • Göransson
 3:00
9. "V. 3005"
  • Glover
  • Göransson
  • Stefan Ponce
  • Glover
  • Göransson
  • Ponce
 iii:54
10. "Playing Effectually Before the Party Starts"
  • Glover
  • Göransson
 Göransson 0:54
eleven. "I. The Party"
  • Glover
  • Göransson
  • Jonathan Levi
  • Glover
  • Göransson
  • Pop Levi
 i:31
12. "Two. No Exit"
  • Glover
  • Göransson
  • Miguel Pimentel
  • Glover
  • Göransson
 two:51
13. "Expiry by Numbers" Glover Glover 0:43
fourteen. "I. Flight of the Navigator"
  • Glover
  • Göransson
  • Glover
  • Göransson
 five:44
xv. "II. Zealots of Stockholm (Free Information)"
  • Glover
  • Göransson
  • Lakisha Robinson
  • Glover
  • Göransson
  • Sam Spiegel[a]
four:50
xvi. "Three. Urn"
  • Glover
  • Göransson
  • Glover
  • Göransson
 i:13
17. "I. Pink Toes" (featuring Jhené Aiko)
  • Glover
  • Göransson
  • Ponce
  • Jhené Chilombo
  • Glover
  • Göransson
  • Ponce
 iii:27
18. "II. Earth: The Oldest Computer (The Terminal Night)" (featuring Azealia Banks)
  • Glover
  • Göransson
  • Azealia Banks
  • Glover
  • Göransson
 4:42
19. "Three. Life: The Biggest Troll (Andrew Auernheimer)"
  • Glover
  • Göransson
  • Glover
  • Göransson
 five:42
Total length: 57:52

Notes

  • ^[a] signifies an additional producer
  • "V. 3005" is known equally simply "3005" on the iTunes version of the album

Personnel [edit]

Credits for Because the Internet adapted from AllMusic and the anthology's booklet.[81] [82]

  • Jhené Aiko – featured artist (track 17)
  • Erik Arvinder Orchestra – strings (track 19)
  • Chris Athens – mastering
  • Azealia Banks – featured artist (track 18)
  • Take a chance the Rapper – featured artist (track 5)
  • Childish Gambino – creative manager, executive producer, producer (tracks i–nine, eleven–nineteen), primary artist
  • Andrew Dawson – mixing
  • Autumn de Wilde – photography
  • Doc Allison – cello (rail 2)
  • Jens Filipsson – alto sax (track iii)
  • Ludwig Göransson – guitar (track 5), producer (tracks three, 5–12, 14–xix)
  • Chris Hartz – drums (rails 17)
  • Rochelle Jordan – background vocals (runway seven)
  • Kai – boosted vocals (track 2)
  • Kilo Kish – additional vocals (track 15)
  • Popular Levi – producer (track 11)
  • Lloyd – additional vocals (track vii)
  • Steve One thousand. Lover – boosted vocals (track 3), groundwork vocals (track 3)
  • Riley Mackin – engineer
  • Miguel – additional vocals (track 12)
  • Mystikal – background vocals (rail 2)
  • Edvin Nahlin – fender rhodes (rail 3)
  • Yesi Ortiz – additional vocals (track 7)
  • Stefan Ponce – producer (tracks ix, 17)
  • Problem – additional vocals (track 8)
  • Christian Rich – producer (track 2)
  • Ruben Rivera – engineer
  • Brian Roettinger – art direction
  • Sam Spiegel – additional production (track 15)
  • Swank – background vocals (track 3)
  • S-10 – additional drum programming (track 5)
  • Thundercat – bass (runway 17), producer (track 6), background vocals (track 17)
  • Fam Udeorji – artistic director, executive producer

Charts [edit]

Certifications [edit]

Release history [edit]

References [edit]

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  2. ^ Itzkoff, Dave (July 9, 2013). "Donald Glover Reduces His Grade Load on 'Community'". The New York Times. Archived from the original on July xiv, 2013. Retrieved July 17, 2013.
  3. ^ Erin Coulehan (August half-dozen, 2013). "Donald Glover to Create and Star in New Musical Comedy Series for FX | Culture News". Rolling Rock. Archived from the original on October v, 2013. Retrieved Oct 27, 2013.
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